Sexual Assaults on Campus

Last week UND student Josh Brorby wrote a horrible op-ed piece for the online Dakota Student in which he described how to rape a woman. It was printed and responses have been extreme. It was horrible and disgusting but what also bothered me is the number of negative responses to the article about equal the positive ones.

There was a great piece by Kristen Lombardi yesterday describing how sexual assaults on campuses are always shrouded in secrecy. She reports on one student’s efforts to pursue her rape complaint via the college judicial system.

Roughly one in five women who attend college will become the victim of a rape or an attempted rape by the time she graduates. A recent study found that more than 95 percent of students who are sexually victimized do not report to police or campus officials.

Rape culture abounds on the UND campus, on college campuses across the US and the world. Rape culture is writing about how to rape a woman, getting it published and applauded.

Guerrilla Girls On Tour’s past three performances have been of our show “Silence Is Violence” that addresses date rape and violence against women. There are women and men on college campuses who realize the need to address a problem they face and bring it to the forefront. Let’s hope UND is next on our tour list.

Link to Sexual Assault on Campus Shrouded in Secrecy by Kristin Lombardi http://www.publicintegrity.org/investigations/campus_assault/articles/entry/1838/

Link to One-night standing: the Method by Josh Brorby
http://tinyurl.com/UNDrape

-Aphra Behn
December 2, 2009
New York City

TAKE BACK THE NIGHT!

Guerrilla Girls On Tour's Diary
(from our tour to Rochester Institute of Technology's annual Take Back The Night!

I can’t think of a better way to spend my birthday than to perform “Silence Is Violence” at RIT’s annual “Take Back The Night” rally with Julia Child and Edith Evans. Yes, the morning I turned none-of-your-business (as Julia would say) I was boarding a US airways flight to the beautiful and chilly city of Rochester with my two BGF’s (best guerrilla friends). After checking into our hotel and singing a few musical theatre medleys we head off to the RIT campus – a huge sprawling brick conglomerate of gianormous buildings and winding roads. We find the theatre and meet our fabulous hostess, Susanne, who greets us with veggie wraps and coffee…the sure fire quick way into our hearts. After a tech rehearsal that was interrupted by a constant changeover of the tech crew we go over our posters, DV stats and improvisations on date rape and bystander intervention. We meet our fearless student volunteer, Nevin, who takes the name of Frida Kahlo as an honorary member of Guerrilla Girls On Tour for a day. Backstage it’s all warm ups we recently learned at Upright Citizens Brigade (yes, we are all trained in long form improv techniques) and we’re off on the first show of the season.

A few hilarious mishaps both planned (Obama dances al la Saturday Night Fever) and not planned (Julia’s wig flies off) later Julia and Edith surprise me when the audience sings a loud “Happy Birthday” to me at the end of the show. But I’m getting ahead of myself. Yes, we had the audience practicing chanting all though the performance so that by the end and the beginning of the “Take Back The Night” rally we’d all be in fine voice for our march around the gym. As a survivor of domestic violence it was particularly poignant and touching for me to be doing this on my birthday…god knows there was many a chance that I would not have made it past my 27th! A fine Q and A ended our two-hour show and we headed off to the nearby coffee shop which is also a bar for some celebratory cocktails to end the night. I got carded….no longer flattering, just plain ridiculous at my age, and the nice barkeep bought me a birthday pint. Now that’s hospitality Rochester style. I fell asleep like a baby in my heavenly bed dreaming of tours to come.

-Aphra Behn
October 1, 2009
Rochester, NY

Edith Evans here, just back from upstate New York, Rochester to be exact, where the leaves are all ready turning, the temperature is all ready dropping, and the students are all ready involved, chanting and marching, for 'Take Back the Night.'

For those of you like me who skipped the college culture and went directly into bohemian artistic employment - 'Take Back the Night' started in the late 1970's as a way to raise awareness to sexual violence and support those who have been victimized. The goal of these gatherings is to help women achieve a feeling of safety and empowerment. Many events are women only, but now men are also standing up as survivors and some events are becoming co ed. (takebackthenight.org)

Julia Child, Aphra Behn and I started our day together at the airport drinking coffee and eating delicate, beautiful, little cupcakes in honor of Aphra's birthday. What a nice treat!

Aphra and I also got to experience a little culture shock while buying some disposable camera's in the local Rite Aid. The cashier was so friendly. We had a long lengthy discussion with her about heat and our new friend wanted so much to continue the conversation she walked us to the door on the way out. Being from NYC we confessed to being afraid she wouldn't leave us but would follow us right into our car.

Off to campus. It is a big campus. Once again though, a friendly security guard drew us a map of where we needed to go. And he was right!

Susanne was there to greet us and set us up (and got us some much needed coffee too, thanks Susanne!) and tech began. And many hours later tech ended. Show time!

The audience was really responsive. There was almost no need for Julia to encourage them to get into the spirit and rock the house out with their voices. Our student volunteer Nevin did a fine job as a chest bumping, subway sub eating male student. And after marching around the campus 'Sentinel' the students came back for a Q & A.

Afterwards, we went to a local bar (and got carded, would you believe!) and had a beer once again in honor of Aphra's birthday. We slept on the delightful heavenly rest mattress, and came home on time thanks to the most efficient flight attendant ever. Yeah baby.

It's nice to be back on tour,
Edith Evans

www.ggontour.com
www.twitter.com/GuerrillaGsOT© 2009

BEST BOOKS OF 2009

Guerrilla Girls On Tour breaks from our policy to not comment on living artists in light of Publishers Weekly's Best Books of 2009 Top Ten List that contained ZERO books by women and an almost total absence of books by people of color. HERE, for the first time, is GUERRILLA GIRLS ON TOUR's BEST BOOKS OF 2009. Except for plays and some non-fiction entries, this list is courtesy of the WILLA list compiled by women working together to chronicle Great Books by women 2009. If you have a book to add or to view the complete WILLA list go to http://willalist.wikia.com/wiki/The_WILLA_List_Wiki. Thanks to all who wrote to us re the great work WILLA has done in capturing and maintaining this vital list. Drum roll please....

PLAYS
Becky Shaw by Gina Gionfriddo
Blasted by Sarah Kane
God of Carnage by Yasmina Reza
The Good Negro by Tracey Scott Wilson
Ruined by Lynn Nottage
Or by Liz Duffy
This by Melissa James Gibson
Circle Mirror Transformation by Annie Baker
Killers and Other Family by Lucy Thurber
The Heart is a Lonely Hunter by Rebeccca Gilman
In the Next Room the Vibrator Play by Sarah Ruhl
Let me Down Easy by Anna Deavere Smith
After Miss Julie by Sienna Miller
The Wonder by Susanna Centlivre
A Lifetime Burning by Cusi Cram
The Night Watcher by Charlayne Woodard
Happy Now by Lucinda Coxon
FICTION
Megan Abbott, Bury Me Deep
Marguerite Abouet, Aya: The Secrets Come Out (Graphic Novel)
Chimamanda Ngozi Adichie, The Thing Around Your Neck
Margaret Atwood, The Year of the Flood
Margo Berdeshevsky, Beautiful Soon Enough
A.S. Byatt, The Children's Book
Amina Cain, I Go To Some Hollow
Chelsea Cain, Evil At Heart
Bonnie Jo Campbell, American Salvage
Mary Caponegro, All Fall Down
Emily Chenoweth, Hello Goodbye
Farai Chideya, Kiss the Sky
Inger Christensen, Azorno
Jennine Capó Crucet, How to Leave Hialeah
Randy Sue Coburn, A Better View of Paradise
Lydia Davis, The Collected Stories of Lydia Davis
Rachel DeWoskin, Repeat After Me
Elissa Elliot, Eve: A Novel of the First Woman
Erdrich, Louise, The Red Convertible
Janet Evanovich, Finger Lickin' Fifteen
Gillian Flynn, Dark Places
Ru Freeman, A Disobedient Girl
Amanda C. Gable, The Confederate General Rides North
Diana Gabaldon, An Echo in the Bone
Mary Gaitskill, Don't Cry
Mavis Gallant, The Cost of Living: New and Uncollected Stories
Meg Gardiner, The Memory Collector
Kate George, Moonlighting in Vermont
Amelia Gray, AM/PM
Lauren Groff, Delicate Edible Birds: And Other Stories
Tina May Hall, All the Day's Sad Stories
Masha Hamilton, 31 Hours
Samantha Harvey, The Wilderness
Elina Hirvonen, When I Forgot
Joanna Howard, On the Winding Stair
Michelle Huneven, Blame
Tania James, The Atlas of Unknowns
Holly Goddard Jones, Girl Trouble
Toni Jordan, Addition
Stephanie Kallos, Sing Them Home
Laura Kasischke, In a Perfect World
Barbara Kingsolver, The Lacuna
Deidre Knight, Butterfly Tattoo
Laila Lalami, Secret Son
Dylan Landis, Normal People Don't Live Like This
Glenda Larke, The Last Stormlord
Stacey Levine, The Girl With Brown Fur: Tales and Stories
Laura Lippman, Life Sentences
Sophie Littlefield, A BAD DAY FOR SORRY
Sheila Lowe, Dead Write
Li Yiyun, The Vagrants
Lisa Lutz, Revenge of the Spellmans
Hilary Mantel, Wolf Hall
Juliet Marillier, Heart's Blood
Joyce Maynard, Labor Day
Jill McCorkle, Going Away Shoes
Jen Cullerton Johnson, Seeds of Change
Maile Meloy, Both Ways is the Only Way I Want It
Anne Michaels, The Winter Vault
Marie Mutsuki, Mockett Picking Bones from Ash
Lorrie Moore, A Gate at the Stairs
Nami Mun, Miles From Nowhere
Alice Munro, Too Much Happiness: Stories
Antonya Nelson, Nothing Right
Bich Minh Nguyen, Short Girls
Audrey Niffenegger, Her Fearful Symmetry
Sara Paretsky, Hardball
Ann Parker, Leaden Skies
Gaile Parkin, Baking Cakes In Kigali
Victoria Patterson, Drift
Samantha Peale, The American Painter Emma Dial
Lydia Peelle, Reasons for and Advantages of Breathing: Stories
Ludmilla Petrushevskaya, There Once Was a Woman Who Tried to Kill
Gin Phillips, The Well and the Mine
Jayne Anne Phillips, Lark and Termite
Naomi Pringle, Ginga' Root Tea
Amy Reed, Beautiful
Sarah Rosenthal, Manhatten
Joanna Ruocco, The Mothering Coven
Preeta Samarasan, Evening is the Whole Day
Lisa See, Shanghai Girls
Nicole Seitz, A Hundred Years of Happiness
Heather Sharfeddin, Windless Summer
Brooks Sigler, Five Finger Fiction
Emily St. John Mandel, Last Night in Montreal
Kathryn Stockett, The Help
Jean Thompson, Do Not Deny Me
Laura Van den Berg, What The World Will Look Like When
Kate Walbert, A Short History of Women: A Novel
Sarah Waters, The Little Stranger
Jennifer Weiner, Best Friends Forever
Tracy Winn, Mrs. Somebody Somebody
POETRY
Carrie Olivia Adams, Intervening Absence
Kim Addonizio, Lucifer at the Starlite
Deborah Ager, Midnight Voices
Rae Armantrout, Versed
Jessica Bozek, The Bodyfeel Lexicon
Ana Bozicevic, Stars of the Night Commute
Brigitte Byrd, Song of a Living Room
Teresa Cader, A History of Hurricanes
Gabrielle Calvocoressi, Apocalyptic Swing
Kara Candito, Taste of Cherry
Andrea Cohen, Long Divison
Norma Cole, Where Shadows Will
Gillian Conoley, The Plot Genie
Rita Dove ,Sonata Mulattica
Kate Durbin, The Ravenous Audience
Robin Ekiss, The Mansion of Happiness
Sarah Gambito, Delivered
Amy Gerstler, Dearest Creature
Kate Greenstreet,The Last 4 Things
Marilyn Hacker, Names
Leslie Harrison, Displacement
Brenda Hillman, Practical Water
Janet Holmes, The ms of m y kin
Julie Kane, Jazz Funeral
Bhanu Kapil, Humanimal
Jesse Lee Kercheval, Cinema Muto
Myung Mi Kim, Penury
Amy King, Slaves to do These Things
Ish Klein, Union!
Noelle Kocot, Sunny Wednesday
Jennifer Kronovet, Awayward
Rachel Levitsky, Neighbor
Rachel Loden, Dick of the Dead
Dana Teen Lomax, Disclosure
Barbara Maloutas, The Whole Marie
Sabrina Orah Mark, Tsim Tsum
Jen McCreary, :ab ovo:
Karyna McGlynn, I Have to Go Back to 1994 and Kill a Girl
Nicole Mauro, The Contortions
Helena Mesa, Horse Dance Underwater
Chelsey Minnis, Poemland
Mel Nichols, Catalytic Exteriorization Phenomenon
Hoa Nguyen, Hecate Lochia
Lisa Olstein, Lost Alphabet
Alicia Ostriker, The Book of Seventy
Gaile Parkin, Baking Cakes In Kigali
Carol Peters, Sixty Some
Kiki Petrosino, Fort Red Border
Marie Ponsot, Easy
Lisa Robertson, Lisa Robertson's Magenta Soul Whip
Sophie Robinson, a
Kim Rosenfield, re: evolution
Lee Ann Roripaugh, On the Cusp of a Dangerous Year
Lisa Samuels, Tomorrowland
Laurie Sandell, The Impostor's Daughter (Graphic Novel)
Sarah Sarai, The Future is Happy
Sandra Simonds, Warsaw Bikini
Carmen Gimenez Smith, Odalisqued in Pieces
Pamela Sneed, KONG
Alison Stine, Ohio Violence
Terese Svoboda ,Weapons Grade
Stacy Szymaszek, Hyperglossia
Michelle Taransky, Barn Burned, Then
Eleanor Ross Taylor, Captive Voices
Lyrae Van Clief-Stefanon, Open Interval
Catherine Wagner, My New Job
Anne Waldman, Manatee/Humanity
Liz Waldner, Trust
Susan Wheeler, Assorted Poems
Dara Wier, Selected Poems
Allison Benis White, Self-Portrait with Crayon
Rebecca Wolff, The King
Karena Youtz, The Shape is Space
Rachel Zucker, Museum of Accidents
NONFICTION
Julie Abraham, Metropolitan Lovers: The Homosexuality of Cities
Diana Athill, Somewhere Towards the End
Nancy Balbirer,Take Your Shirt Off And Cry: A Memoir
Carlene Bauer, Not That Kind of Girl
Helen Benedict, The Lonely Soldier: The Private War of Women Serving in Iraq
Eula Biss, Notes From No Man's Land
Rebecca Brown, American Romances: Essays
Lily Burana, I Love a Man in Uniform
Ashley Butler, Dear Sound of Footstep
Gwen Cooper, Homer's Odyssey: A Fearless Feline Tale
Mary Cappello, Called Back: My Reply to Cancer, My Return to Life
Staceyann Chin, The Other Side of Paradise: A Memoir
Jennifer Culkin, A Final Arc of Sky: A Memoir of Critical Care
Jenny Diski , The Sixties
Hope Edelman, The Possibility of Everything
Lise Eliot, Pink Brain, Blue Brain
Barbara Ehrenreich, Bright-sided: How the Relentless Promotion of Positive
Terry Galloway, Mean Little Deaf Queer
Michelle Goldberg, The Means of Reproduction: Sex, Power and the Future
Temple Grandin, Animals Make Us Human
Debra Gwartney, Live Through This
Duchess Harris, Black Feminist Politics from Kennedy to Clinton
Lyanda Lynn Haupt,Crow Planet: Essential Wisdom from the Urban Wilderness
Jane Jeong Trenka, Fugitive Visions: An Adoptee's Return to Korea
Diana Joseph, I'm Sorry You Feel That Way: The Astonishing but True Story
Mary Karr, Lit
Sue Monk Kidd and Ann Kidd Taylor,Traveling with Pomegranates
Hermione Lee, Biography: A Very Short Introduction
Sara Maitland,A Book of Silence
Brenda Miller, Blessing of the Animals
Eileen Myles, The Importance of Being Iceland
Maggie Nelson, Bluets
Rebecca K. O'Connor, Lift
Lilian Pizzichini, The Blue Hour: A Life of Jean Rhys
Dawn Potter, Tracing Paradise: Two Years in Harmony with John Milton
Ruth Reichl, Not Becoming My Mother: And Other Things She Taught Me
Harriet Reisen, Louisa May Alcott: The Woman Behind Little Women
Robin Romm, The Mercy Papers
Rebecca Solnit, A Paradise Built in Hell: The Extraordinary Communities
Helen Thorpe, Just Like Us
Spring Ulmer, The Age of Virtual Reproduction
Andrea Tone, The Age of Anxiety: A History of America's Turbulent Affair
Rebecca Walker, One Big Happy Family: 18 Writers Talk About Polyamory
Lauren Weber, In Cheap We Trust: The story of a misunderstood American
Jaclyn Friedman and Jessica Valenti, Yes Means Yes
Roberta Wohlstetter, Pearl Harbor: Warning and Decition
Susan Strange, States and Markets
Martha Finnemore, The Purpose of Intervention
Frances FitxGerald, Fire in the Lake
Kathryn Sikkink and Margeret Keck, Activists Beyond Border
Samatha Power, A Problem from Hell
Elinor Ostrom, Governing the Commons
Theda Skocpol, States and Social Revolutions
Beth Simmons, Who Adjusts? Domestic Sources of Foreigh Policy
Valerie Hudson and Andrea Den Boer, Bare Branches
Kim Neilsen, The Teacher and the Student
Margeret Randall, To Change The World
Kirstin Downey, The Revolutionist
Jennifer Ring, Baseball is War


CHILDREN/YOUNG ADULT
Katie Alender, Bad Girls Don't Die
R.J. Anderson, Faery Rebels: Spell Hunter
Pam Bachorz, Candor
Cyn Balog, Fairy Tale
Eileen Beha, Tango - The Tale of an Island Dog
Lauren Bjorkman, My Invented Life
Molly Breen, Darkwood
Sarah Rees Brennan, The Demon's Lexicon
Leigh Brescia, One Wish
Jennifer Brown, Hate List
Ann E. Burg, All the Broken Pieces
Megan Crewe, Give up the Ghost
Kirstin Cronn-Mills, The Sky Always Hears Me (and the Hills Don't Mind)
Sarah Cross, Dull Boy
Kate di Goldi, The 10 PM Question
Erin Dionne, Models Don't Eat Chocolate Cookies
Deva Fagan, Fortune's Folly
Megan Frazer, Secrets of Truth & Beauty
Kami Garcia and Margaret Stohl, Beautiful Creatures
Matthea Harvey, The Little General and the Giant Snowflake
Cheryl Renee Herbsman, Breathing
Kerry Cohen Hoffman ,It's Not You, It's Me
Deborah Hopkinson, Keep On! The Story of Matthew Henson
Mandy Hubbard, Prada & Prejudice
Jennifer Jabaley, Lipstick Apology
Stacey Jay, You Are So Undead to Me
Danielle Joseph, Shrinking Violet
Suzanne LaFleur, Love, Aubrey
Cynthea Liu, Paris Pan Takes the Dare
Malinda Lo, Ash
C. Lee MacKenzie, Sliding on the Edge
Sarah MacLean, The Season
J.E. MacLeod, Waiting to Score
L.K. Madigan, Flash Burnout
Lisa Mantchev, Eyes Like Stars
Nan Marino, Neil Armstrong is My Uncle and Other Lies Muscle Man
Neesha Meminger, Shine Coconut Moon
Kate Messner, The Brilliant Fall of Gianna Z
Saundra Mitchell, Shadowed Summer
Jenny Moss, Winnie's War
Sarah Ockler, Twenty Boy Summer
Rosanne Parry, Heart of a Shepherd
Jackson Pearce, As You Wish
Diana Peterfreund, Rampant
Shani Petroff, Bedeviled
Aprilynne Pike, Wings
Cindy Pon, Silver Phoenix
Sarah Quigley, TMI
Amy Reed, Beautiful
Carrie Ryan, The Forest of Hands and Teeth
Sydney Salter, My Big Nose and Other Natural Disasters
Fran Slayaton, When the Whistle Blows
Kristina Springer, The Espressologist
Jen Cullerton Johnson, SEEDS OF CHANGE: The Wangari Maathai Story''
Rhonda Stapleton, Stupid Cupid
Heather Duffy Stone, This Is What I Want to Tell You
Charity Tahmaseb & Darcy Vance, The Geek Girl's Guide to Cheerleading
Jessica Verday, The Hollow
Lara Zielin, Donut Days
Michelle Zink, Prophecy of the Sisters

SHE WRITES DAY OF ACTION NOV 13, 2009

DID YOU KNOW THAT there are ZERO women (and almost total absence of people of color) on Publishers Weekly's Best Books of 2009 list??
http://www.publishersweekly.com/article/CA6704263.html

Mad Yet? Take part in the first-ever She Writes Day of Action!
On November 13, 2009 please do three simple, but enormously powerful, things:

1) Post a blog on She Writes (http://www.shewrites.com/profiles/blogs/mad-yet-take-part-in-our)responding to the exclusion of women on PW's list. Make your own list, as many of you have done already, or take this opportunity to reflect more broadly the ramifications of its women-cook-the-food-but-only-men-get-Michelin-stars message, and share your thoughts with us all. (More ideas on this to come.)

2) Buy a book written by a woman in 2009. Take a photo of yourself holding it. Post its cover on your page. Tell us what book you bought, and why.

3) Invite five women writers you know to read your words and join us on She Writes.

Once you have posted your blog, send the link to kamy@shewrites.com. SHE WRITES will send these links to their entire community (5000+) on Saturday and will send out a press release then too. If you are a well-known writer, you know how greatly we need your response, your leadership, and your help in spreading the word. If you aren't, we greatly need your response and your leadership too. Use this platform as a platform of your own.

GO BANANAS!!!!

ROLL CALL ON HEALTH CARE BILL

1) Dems who voted NO #HCR
Kucinich, Kratovil, Kosmas, Kissell, Holden, Herseth Sandlin, T. Edwards, L. Davis, A Davis, Childers, Chandler, Barrow, Bright, Boyd, Boucher, Boren, Boccieri, Baird, Altmire, Adler, Markey, Marshall, Massa, Matheson, McIntyre, McMahon, Melancon, S. Murphy, Minnick, Nye, Peterson, Ross, Shuler, Skelton, Tanner, Tylor, Teaque, Gordon, Griffith.

For complete voting list: http://www.washingtonpost.com/wp-srv/special/politics/votes/house/healthcare/index.html

NOTE: Women Dems who voted NO #HCR Kosmas, FL; Herseth Sandlin, SD; Markey, CO.

2) DEMS who voted YES on STUPAK amendment to restrict women’s rights.

Altmire, Baca, Barrow, Berry, Bishop, Boccieri, Boren, Bright, Cardoza, Carney, Chandler, Childers, Cooper, Costa, Costello, Cuellar, Dahlkemper, A. Davis, Donnelly, Doyle, Driehaus, Ellsworth, Etheridge, Gordon, Griffith, Hill, Holden Kanjorski, Kaptur, Kildee, Langevin, Lipinski, Lynch, Marshall, Matheson, McIntyre, Melancon, Michaud, Mollohan, Murtha, Neal, Oberstar, Obey, Ortiz, Perriello, Peterson, Pomeroy, Rahall, Reyes, Rodriguiz, Ross, Ryan.

3) DEMS who voted YES on STUPAK and NO on #HCR – what was the point???

Altmire, Boccieri, Boren, Bright, Chandler, Childers, A. Davis, Gordon, Griffith, Marshall, Matheson, McIntyre, Melancon, Peterson

For complete list: http://www.openleft.com/diary/15915/dems-who-voted-for-the-stupak-amendment-to-restrict-womens-rights

A public service message from Guerrilla Girls On Tour!

If You Can Stand The Heat: The History of Women and Food

Hungry?
Here are some nibblets Guerrilla Girls On Tour discovered on the internet in the last 10 minutes:

• February 4th marks the 27th anniversary of Karen Carpenter’s death via anexoria nervosa.
• The major motion picture Julie and Julia is moving into it’s 2nd month of release.
• The Biggest Loser is currently in it’s 9th successful season on NBC.
• 18% of the world’s population is starving, and they’re not doing it on purpose.
• May will mark the 2010 annual James Beard Awards Celebration.
• Paula Deen has 45,000 followers on twitter.
• Fat Camp The Musical debuts at the 2009 New York Musical Theatre Festival this month.

Are you confused? So are we.
Every time we open the refrigerator.

Jamming food into our mouths is the way our major organs continue to function. It’s a good thing, but it’s an awfully loaded act, isn’t it? We think so too. This is why we are booking the first tour of our newest production: If You Can Stand The Heat: The History of Women and Food. In the show, we will address women’s consistent anxiety around food and the body, we’ll feature a handful of lady culinary heroes who contributed to the menus of our daily lives, and we’ll investigate what responsibilities we have as surplus-food American citizens to the under-nourished nations in our global community. The show is a hilarious, flour-dusted, theatrically surprising stage conversation meant to dissolve fears of food borne from obliviousness and encourage freedom of the fork.

As we’ve toured across America, we’ve noted that the most pervasive issue young women want to tackle in our poster-making activism workshops is around BODY IMAGE. We realized we have a lot to talk about, a lot of work to do, and a lot of bread to knead while we do so.

Still hungry?

The show involves 3 performers, a photoshopped chorus of satirically charged images (per usual), and live food preparation. Spoiler alert: I wouldn’t be surprised if somebody got a pie in the face.

We’d love to come to your town and get the dinner party started and the word out. We’re touring If You Can Stand The Heat: The History of Women and Food January 2010 through May 2010. Of course, we’d be happy to head your way anytime, but scheduling performances as we tour will help reduce costs associated with the performance.

Come visit us: www.ggontour.com. We tour a variety of different shows and workshops. You can check it all out there!

Trick or Tweet us: www.twitter.com/GuerrillaGsOT

We can’t wait to dine with you.
Oh, and by the way, we chew with our mouths open! Don’t tell our moms.

WOMEN PLAYWRIGHTS – SUBMIT YOUR SCRIPTS NOW!

An interesting part of Emily Glassberg Sands' analysis of gender bias in theatre focused on four plays she submitted to 250 theatres across the country. Each play had two pen names attached, one a male and one a female. Both women and men read and rated the scripts in terms of quality and economic prospects. Emily found that men rated plays the same regardless of gender, while women rated the plays by women lower when the script bore a female pen-name. However, the quality of a play was divided into different sections. While women rated plays by women lower re the chances of it winning a prize, having likable characters and whether the play would fit into their theatre season, women did not report personally believing that a script with a female pen-name was of lower quality.
The playwright responsible for inspiring Emily’s analysis, Julia Jordon, sent me an email last night regarding these stats. Here is part of what she wrote: “…women are predicting their audiences and the critics to be discriminatory, probably more discriminatory than they actually are, and are therefore not putting forward or producing the plays by women. All in an effort to protect their own and their theater's success and financial well being. They need to learn that the audiences in fact discriminate IN FAVOR of work with female protagonists and appear to not care at all the gender of the person who wrote the play.”
This is true. Emily Sands found that plays with a female protagonist were preferred by audiences and that they didn’t care who wrote the play. She also found that on Broadway plays written by women were significantly more profitable than plays by men.
Plays by women have a higher audience appeal!

Are you reading this producers? Are you listening female playwrights? A producer is waiting for a script penned by a woman to drop onto their desk so get up and run to the post office. CALL TO WOMEN PLAYWRIGHTS - send your scripts out NOW!

-Aphra Behn
© 2009

Gender Bias In Theatre

Edith Evans and I headed down to Playwrights Horizons to hear Emily Sands present the conclusions of her year long study on gender bias in theatre. Entitled “Opening the Curtain on Playwright Gender: An Integrated Economic Analysis of Discrimination in American Theatre”, the 45 minute lecture was both an affirmation of what Guerrilla Girls On Tour has suspected all along and an eye opener. First of all, Emily presented evidence gathered from Doolee that there were more male playwrights than women playwrights. Doolee is a free site for playwrights in the US, UK and Canada that lists writers and their work. This stat I suspect is off. From our research via the Dramatists Guild playwrights are split 50% male and 50% female. Next Emily explained how she enlisted the help of 4 women writers (Pulitzer prize winner Lynne Nottage was one) to write spec scripts for her. She then sent these scripts out with one half bearing the by line of a man and the other of a woman. The plays that bore male names were rated higher. No surprise there. But the scripts with women’s by lines were rated lower more often by female literary managers and artistic directors. Shocker to most but when Emily revealed that fact Edith and I just looked at each other and smiled knowingly. Q: What’s the biggest obstacle to feminism? A: Other women. Guerrilla Girls On Tour has used this line for the past 7 years in our performance piece “Feminists Are Funny”, which dramatizes the disparity for women in theatre (i.e. less than 18% of all plays produced in the US are written by women). While most of the feedback we receive on our work is positive, the small percentage of hate mail comes from, you guessed it, women. Emily Sands’ findings in her year long study on gender bias in theatre reconfirms what we have suspected all along -- it's our own sisters who have been marginalizing female playwrights. We think it’s because women have to claw their way to the top in the theatre world and by the time they get there they are not only exhausted, but threatened by any other woman who may attempt to replace them. As theatre women we need use our energy to mentor each other and stop feeling jeopardized by each others successes. Read the NY Times article on Emily’s presentation here. See you in the jungle.
http://www.nytimes.com/2009/06/24/theater/24play.html?_r=1
-Aphra Behn
© 2009

2009 TONY AWARDS

No woman is nominated for a 2009 TONY in the following 10 categories:

Best Book of a Musical
Best Revival of a Play (no plays by women nominated)
Best Revival of a Musical (no musicals by women nominated)
Best Orchestrations
Best Scene Design in either play or musical categories
Best Lighting Design in either play or musical categories
Best Sound Design in either play or musical categories

The good news is that two women are nominated for best direction of a musical - Kristin Hanggi for "Rock of Ages" and Diane Paulus for "Hair" and that press agent Shirley Herz is being honored for Excellence in Theatre and Phyllis Newman is the Isabelle Stevenson Award honoree.

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© 2009

University of Hawaii, Hilo Tour Diary

Aloha Diary,
Sometimes flying is not about freedom. Sometimes it's about sleeping with your head on the tray table and moving so people can go to the bathroom in the appropriate locker-sized room in the back of a collection of steel vessels that somehow gets me from East Brooklyn to Northern Hawaii. Josephine Baker and I both elected to function on no sleep en route to the Big Island. We could have attached little anchors to our eyelids as we walked through the Phoenix airport, but we decided it would get in the way of the lost cities of Atlantis we were dragging from our eyelids, and we didn't want to mix our metaphors too early in the day. There's appropriate and then there's inappropriate, and Josephine Baker and Julia Child know the difference. (As if I really had to say that to YOU, diary.)

We made it to Hilo sans Aphra Behn, who was sitting on the tarmac in Atlanta. God was punishing her for being hopeful about an upgrade to business class. The stunning Myhraliza greeted us with leis and a ride to our glorious accommodations next door to Coconut Grove, where we drank Hawaiian beer and pretended to be awake in paradise.

Love,
Julia Child
April 5, 2009


Aloha Diary,
Today we gave a poster-making workshop to the folks in the Hilo Theatre Department, as well as to their radiant Chair, Jackie. They were masters at theatre warm-up games like the name game, which we retitled "I'm Jumpin' Julia." (But of course.) They were also quite adept at silently granting one another permission to take each other's places in a game called "yes." Sadly, we had many false starts when we started to play Big Bootie, but I can't say I didn't contribute to our collective failure to have rhythm we could all be proud of.

Then we wrote down all of the issues we're extra passionate about in Hilo, and got down to the business of making posters. Three groups made brilliant, powerful collections of taglines and images about Drugs/Peer Pressure, Domestic Violence, and the ever-complicated Hawaiian Identity and it's political implications. Applause to the
charismatic geniuses in the Hilo theatre department.

We also took a stab at rehearsing our show, "Silence is Violence," but we were pleasantly distracted by some traditional hula rehearsal in the outdoor halls on campus. We sat and watched the nuanced gesturing of 40 or so folks in sarongs for more than an hour. Could have been days. We were entranced.

Then we couldn't find any restaurants open past 8:00. Yummy!

Goodnight!
Julia Child
April 6. 2009

Aloha Diary,
Today we hung out in Downtown Hilo and I got the raddest airbrushed shirt from Auntie Beth's. She put a piece of lace over the shirt and airbrushed the pattern with purple paint. I keep trying to wear it in New York with flip flops, but every time I go outside it's absolutely frigid. So I put my Quebec sweatshirt on instead. (Remember what I
said about appropriate?) I also patronized Bear's Coffee while I was downtown, and they made a fab soy latte. Though I have to say, it did out price a NYC soy latté at $4.50. I must have looked like I would pay that much for a soy latte. I would and I did.

Then we performed for a nearly full-house in the Hilo cafetorium. The audience was so generous with their laughter and applause. Sometimes we weren't even saying funny things and they were in stitches. Mayhaps I was sporting a "kick me" sign I wasn't aware of? Lei'a was our student volunteer, and she was a fabulous improviser. Sure to be a force to reckon with in the world of political theatre in the future. Lola and Myhraliza kept bringing us the yummiest selections from the beautiful buffet, steamed buns with
pork inside, fried tofu, the freshest pineapple this side of heaven, the works!

Then we went to the only bar open in Hilo, Shooters, and had the bartender make us the only touristy drink he could think of: The Rock Bottom. Karaoke was a dollar a song and even though it's a recession, 10 dollars pretended like it wasn't. I enjoy being a girl.

Mahalo and Aloha,
Julia Child
April 7, 2009

_______________________________________
Day 1: April 5, 2009
Julia Child and I arrived on the Big Island today. I have to admit, I was a little taken aback by the very rainy weather. It wasn't cold, but a little chilly, and not really what I was expecting from Hawaii. But seriously, after the very unspring-like temperatures in New York, I'd take it!

Upon arriving, we found out that Aphra had been having trouble with her flight, and were instructed to meet up with Myhraliza instead. Aphra would be in later that evening.
Myhraliza was amazing from the beginning. She greeted us with beautiful lei's, drove us to our hotel, and made sure we got in safely. Needless to say, after a 12 hour flight, we were pretty exhausted, and thankful for her hospitality. Without it, we would have had to wait another 2 hours in the airport for Aphra!

We settled in, and the first thing I did was take a shower. I had to get that airplane funk off! Dinner was a salad from the hotel restaurant. And let me tell you, the bed was welcome!

Day 2: April 6, 2009
Today was workshop day! It went great. They were theater students! Theater students are full of great ideas, and aren't afraid to be silly and outgoing during warm-ups.

This group was pretty enthusiastic, although there were one or two who were having a hard time letting themselves go completely, and not over-thinking everything. It was also apparent that the group was having a hard time understanding the more internal and specific aspects of free association.

By the end, though, there were 3 great posters. After all of the ideas that were thought up, they were narrowed down to Domestic Violence, Peer Pressure, and Hawaiian Commercialization and Stereotypes. The domestic violence group did the best at collaboration and their poster had a fantastic and compelling image.

We were also able to find an amazing volunteer from this group! Her name is Lei'a. I could tell immediately that she would be great.


Day 3: April 7, 2009
Well, it's show day. I have to admit, I'm kind of nervous. I always am before donning the mask and taking on my Guerrilla Girl On Tour identity. Stay tuned….

The show went great! They loved us! There was no need for me to be nervous. They laughed where they were supposed to and we got in some awesome adlibs. The improvs turned out perfect. I'm glad we worked on them so much. I think that made all the difference. Lei'a was great, as predicted. She was an instant Guerrilla Girl On Tour, and slipped right in to the parts we gave her.

Now, I know I say this every tour, but this one was my favorite tours. OK, it was in Hawaii and I definitely needed to get away. But U of Hawaii at Hilo was so hospitable, and the audience was amazing. I had a fabulous time! Thanks Hawaii. I can’t wait to return.

Mahalo,
Josephine Baker